Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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110,680 paintings total

  

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Ambrosius Bosschaert
Flower Still Life
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ID: 76158

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Ambrosius Bosschaert Flower Still Life


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Ambrosius Bosschaert

(Antwerp, January 18, 1573?CThe Hague, 1621) was a still life painter of the Dutch Golden Age.He started his career in Antwerp, but spend most of it in Middelburg (1593?C1613), where he became dean of the painters' guild. He later worked in Amsterdam (1614), Bergen op Zoom (1615?C1616), Utrecht (1616?C1619), and Breda (1619). He specialised in painting still lifes with flowers. In 1587, Ambrosius Bosschaert moved from Antwerp to Middelburg with his family because of the threat of religious persecution. At the age of twenty-one, he joined the cityes Guild of Saint Luke. Not long after, Bosschaert had established himself as a leading figure in the fashionable floral painting genre.   Related Paintings of Ambrosius Bosschaert :. | Flowers in a Chinese Vase | Still Life with Flowers in a Wan-Li vase | Flowers in a glass vase | stilleben med stor blomstervas | Still-Life of Flowers |
Related Artists:
Guillaume Voiriot
Guillaume Voiriot (Paris, 1713 - Paris, 30 November 1799) was a French portrait painter. In the years of 1746-1749 Voiriot went, at its own expense, to Italy. After his return he became a member of the painters and sculptors guild at Academie de Saint-Luc. In the years 1759 to 1771 he regularly exhibited portraits of his contemporaries in the Paris Salon. He portrayed family members, scientists, writers, actors and musicians.
Gaspar Peeter Verbrugghen the younger
Flemish , Antwerp 1664-1730
ZIMMERMANN, Dominikus
German sculptor, Bavarian school (b. 1685, Wessobrunn, d. 1766, Wies)..Architect, stuccoist and painter, brother of (1) Johann Baptist Zimmermann. For the first two decades of his creative life, from about 1705, he worked mainly as a builder of altars and as a marbler. His most important commission came from the Benedictine abbey of Fischingen (Thurgau), for which he made six artificial marble altars with scagliola inlays (1708-9). Similar altars, mainly in Swabia, are attributed to him or known to be his work; their construction shows the influence of Johann Jakob Herkommer, with whose work Dominikus became familiar while living in F?ssen (1708-16). Between 1709 and 1713 he worked with (1) Johann Baptist Zimmermann at the Buxheim Charterhouse (see above), producing artificial marble altars and stuccowork that is characterized by the botanical accuracy of the plant motifs.






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